Interview production that performs 

Every company thinks they need better content.  What they actually need is better footage.

Forge Modern brings broadcast-trained interview techniques to brand content, podcasts, and thought leadership campaigns.  Developed on History Channel and Discovery sets.  Refined on Fox Sports productions.  Built for your next shoot.

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see the difference broadcast makes

Most interviews look like interviews. Ours look like documentaries.  The difference isn’t the camera. It’s everything that happens before and around the camera.

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Technique built on real sets.

The skills behind every Forge Modern interview were developed on the highest-stakes productions in the industry.

Working alongside professional directors, DPs, and talent wranglers on broadcast productions taught us something most videographers never learn: how to put a person at ease in front of a camera, ask the right questions at the right moment, and frame a human being in a way that makes them impossible to look away from.  That’s what we bring to every shoot.

Getting a great interview isn’t just about asking good questions — it’s about making your subject forget they’re being recorded. We use the same subject direction techniques developed on documentary and broadcast sets to get natural, confident, compelling performances from executives, founders, experts, and first-time on-camera talent alike

Interview lighting and composition is a craft. We use three-point lighting setups, intentional depth of field, and environmental staging to create images that feel like they belong in a feature film, not a corporate training video.

Lavalier mics, boom placement, room treatment, and real-time monitoring. Every word your subject says is captured clearly — because the best footage in the world is worthless if the audio pulls people out of it.

We don’t just point and shoot. When needed, Forge Modern can provide interview direction, structuring the conversation to draw out the most compelling, quotable, usable moments. This is what separates a crew that’s been on real sets from one that hasn’t.

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